Posts Tagged ‘Art’
Last week, I attended (a portion) of LACMA’s 24-hour screening of the museum’s newly-acquired The Clock by Christian Marclay. I watched the video work from 8:00 until a little after midnight, and LACMA’s Bing Theater was packed the entire time. People shuffled out at the bottom of each hour, allowing more people in. When I left at 12:15, there was still a line of eager museum visitors all the way down the side of the Art of the Americas building. The Clock has been on view pretty much from the time it was acquired back in May, and just closed this past weekend. If you didn’t get the opportunity to see it, fear not, I’m sure it will be back—it’s a huge crowd pleaser.
The showing attracted a mixed bag of attendees; The Clock is more fun to watch in a diverse group of people. Older viewers recognized clips I didn’t; there were big laughs for a dinner scene from The Odd Couple, and more laughs for a Vincent Price clip. I held my own when I recognized a young Catherine Deneuve, a pivotal scene from Hitchcock’s Rope, and Dustin Hoffman in drag in Tootsie. The oldtimers were stumped by a clip from Sex and the City. Some clips I wanted to go on longer, but I quickly forgot about them because there were five or more news clips in the next minute. Read the rest of this entry »
LACMA’s near acre of new exhibition space, the Resnick Pavilion, means LACMA has a lot of exhibitions to program. And they seem up to the task. After the three inaugural shows (Olmec, Fashion, and Eye for the Sensual), LACMA has managed to keep the Resnick Pavilion at full capacity. There are three shows currently in the space: David Smith: Cubes and Anarchy, Gifts of the Sultan: The Arts of Giving at the Islamic Courts, and LACMA’s ticketed blockbuster: Tim Burton. The shows keep with Michael Govan’s strategy for offering unrelated coinciding shows in the Resnick Pavilion.
Across from the Resnick Pavilion, is Renzo Piano’s other LACMA building, BCAM; it too has been kept full. The top floor is still stocked with Broadworks, the second floor is being deinstalled from the recent permanent collection show Human Nature, and the ground floor just had one of the massive Serra sculptures deinstalled, to make room for a new Burden work, which is going to be AWESOME.
I was in Houston last week for the American Association of Museum’s annual conference. It was my first time attending, and I learned a lot and networked a lot. (Thanks for the fellowship Getty Foundation!) As a Californian, my perception of Houston is a bit skewed from reality. It didn’t help that my freshman year roommate was a frat boy from H-Town, who was fond of boxed wine and drunk driving. All of my conceptions of Houston were changed during my trip. Total strangers smiled at me and made eye contact (a strange thing for me). More importantly, Houston is FULL of art institutions. I managed to squeeze a major art mecca into my trip and was blown away with the amount of things I saw. (This was easy to accomplish because of Houston’s concentrated museum district.) I got to see the Museum of Fine Arts, Houston’s traveling summer exhibition Titian and the Golden Age of Venetian Painting. It was kind of dinky, and I’m glad I didn’t have to pay the extra $7 dollars to see it. What really blew my mind at the MFAH was the Carlos Cruz Diaz show (post to follow soon); I loved it so much, I saw it twice in four days.
It is well known fashion designers find inspiration from fine art (post on Balenciaga coming soon). Walking around the loop, I discovered advertisers of fashion are inspired by fine art as well, contemporary art even. The Zara store in Block 37 has window displays that look a lot like a certain contemporary pop artist. After my two posts on museum advertising, I was blown away to see a specific, and familiar (familiar to some at least) contemporary art piece utilized in a window display of trendy clothing store Zara. The florescent lighting and metallic cylinder forms shouted “Jeff Koons!” so loud to me I almost snapped my neck doing a double-take.