Posts Tagged ‘exhibition’
de Young Museum
I have not seen this exhibition (because I have neither renewed my FAMSF membership, nor managed to convince the bitchy membership counter boys to let me in for free), so I’m just going to judge the exhibition website for the de Young’s latest touring celebrity, Girl With a Pearl Earring.
That’s right, SHE WINKS. Oh this is painful. Vermeer’s iconic masterpiece (reduced to a not-even-clever gif) and other treasures from the Mauritshuis are currently touring the globe (or parts of it) while the Dutch museum undergoes extensive renovations. Good for the Mauritshuis for making some buckets of ducats while closed, but one wonders how much the Fine Art Museums of San Francisco are shelling out for the traveling show. Read the rest of this entry »
“Everybody is concerned about time. You know we never have enough time to do anything, and especially to see art.” – Christian Marclay.Well I got PLENTY of time to see your art Mr. Marclay. Cinephiles of San Francisco rejoice! Christian Marclay’s The Clock is at SFMOMA through June 2nd, when the museum closes for those massive expansions you may have heard about. The Clock made big news two summers ago, when it won the Golden Lion at the Venice Biennale. The 24-hour-long video piece has been heralded as a masterpiece of time-based media, and has been show all over the country (New York, Boston and Los Angeles) and the world (Russia and Israel). Finally Norcal gets the opportunity to see this life-changing (I don’t use that term loosely) video piece.
My life was changed last year when I saw The Clock multiple times at LACMA—the museum purchased an edition of The Clock and had it on view during regular hours, as well as organized several 24-hour screenings. I went to one of the 24-hour screenings and stayed from 8:00PM till 12:15AM. This week, I went to SFMOMA and took in a mere two hours and 15 minutes of The Clock—from 2:45 till 5:00PM. Taking in another chunk of The Clock allowed me to see how the work varies at different times of day. SPOILERS, SPOILERS, SPOILERS AHEAD. Read the rest of this entry »
Norton Simon Museum
As I was finishing up in this exhibition, I overheard a tour being given to what I presumed was a UCLA summer painting course. “We have the Getty in our own backyard, but the Getty’s collection kinda sucks. The Norton Simon’s is the really great collection of LA,” the teacher harped. I am paraphrasing. While I detest uninformed and unnecessary opinions (especially from arts educators) about which museum has the “best” collection, I can’t deny the Norton Simon has a pretty amazing one, and I don’t even like Impressionism. Significant Objects: The Spell of the Still Life presents a thematic cross section of the museum’s diverse collections and is an examination of “the ways in which these ostensibly mundane and insignificant subjects [harsh!] portrayed in painting and sculpture and works on paper are indeed significant.” Significant Objects does not present groundbreaking, paradigm shift-type discoveries or research, but is a huge success as a rich, educational opportunity for general audiences utilizing the permanent collection. Permanent collection show hurray! Here are the facts:
After waiting two long years, I was prepared to love every single second of the fifth season of Mad Men. And love them I did, particularly the very last seconds of the season. “You Only Live Twice” is one of my favorite James Bond themes from one of my favorite Bond films so I was cringing in period-fetish-induced pleasure as Don Draper ordered a signature old fashioned in that smoke-filled bar while Nancy Sinatra crooned away. (Did he, or didn’t he have a threesome?)
Play this song while you read the rest of this post. Read the rest of this entry »