Exhibition Inquisition

The stuff you look at, but don't see.

Posts Tagged ‘Gordon Matta-Clark

Four Facts: Light Years at the AIC

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I’m going to experiment with a new, more regular (hopefully) feature to summarize the exhibitions I come across.  (I still plan on a series of posts about private collectors who build museums for their collections, because “that shit cray.”) Also meet my colleague and art world partner in crime: Bonnie O; she’s going to be blogging about her art adventures (of which she has many).

Trying to get a few more days out of my leather Jacket.

This Week’s Four Facts:

Light Years: Conceptual Art and Photography, 1964-1977
At the Art Institute of Chicago, through March 11

1 – Early Eleanor Antin work is in the show, and it’s great to see something other than her historical tableaus.  Although a personal goal of mine is to be in one of those photo shoots.  I look great in a toga, Eleanor! Read the rest of this entry »

Rodarte: States of Matter

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MOCA – Pacific Design Center

Black Swan star Natalie Portman in Rodarte at the 2011 Oscars.

It is widely disputed how many seasons Los Angeles has, but it actually has five: Spring, Summer, Fall, Winter, and Awards season.  Awards season affects many aspects of life in LA, from street closures and parties to other cultural organizations like museums.  LACMA has a small unabashed installation of Larry Fink Oscar party photographs to commemorate the season.  The FIDM Museum and Galleries has its annual exhibition of Art of Motion Picture Costume Design, which features costume design from 2010 films.  But another show across town may be stealing some of FIDM’s thunder.  On view until June 6th, Rodarte: States of Matter at MOCA’s Pacific Design Center outlet features work from Rodarte’s Fall 2008, Spring 2010, and Fall 2010 collections—as well as costumes from 2010’s humungous ballet film Black Swan.

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Collecting History: Highlighting Recent Acquisitions

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Museum of Contemporary Art

The wording of the title of the show “Collecting History” creates a convenient ambiguity.  Is MOCA presenting the history of its collecting?—probably not, since these are recent acquisitions, and therefore this is not a show displaying its history. More likely MOCA is claiming with this title that through these acquisitions MOCA is collecting (verb) history.

The introductory wall text is the only “educational” anything in the exhibition.  It has a nice tie-in to MOCA’s previous exhibitions, saying the museum acquired works from these amazing shows.  Some of these shows were critically well received, but these expensive shows were also one of the causes of MOCA’s financial problems.  The intro wall text provides catch-all terms such as “significant works,” “historical, mid-career, and emerging artists,” and also “local, national, and international artists.” So basically anything goes.

Titular Image: Öyvind Fahlström, Africa Banner

Titular Image: Öyvind Fahlström, Africa Banner

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