Exhibition Inquisition

The stuff you look at, but don't see.

Posts Tagged ‘interior

Richard Serra, “Sequence”

with 2 comments

SFMOMA, Cantor Arts Center, LACMA

This week, SFMOMA released additional renderings of its eminent expansion including new views of the interior.  Snohetta (the chic, Norwegian architects) and SFMOMA haven’t been apologetic or really skirted the issue about plans to basically gut the entire existing building, keeping only Mario Botta’s  postmodern façade.  Climbing SFMOMA’s imposing stairs is literally my first memory of being in a museum.  As a kid, I tried to recreate the alternating bands of polished and flame-finished black granite of these stairs with a set of sleek dominoes on my living room floor.   A friend and I lamented the demise of Botta’s staircase the last time we visited SFMOMA and we brainstormed potential artist projects that might utilize the soon-to-be-dismantled stairs.  (The SFMOMA expansion is going to be LEED Certified so maybe some of the black stone will be reclaimed.)

Sequence at SFMOMA of the future.

“Sequence” at SFMOMA of the future.

Alas, the released images show all of this will be eliminated in the expansion, sacrificed for the sake of greater street presence and improved openness to pedestrian traffic flow.  (The $555 million expansion will also double the current amount of gallery space, so there is that.)  New public space includes a multi-storied, glass-fronted gallery open to Howard Street.  In the renderings, this gallery space is filled with a massive Richard Serra corten-steel sculpture.  This isn’t just a filler “scalie” artwork; Serra’s Sequence (2006) will be installed in the new space when the Snohetta expansion opens in 2016.  Sequence is part of the Fisher collection, the donors who generous donated many buckets of ducats for the expansion, and who are kinda-sorta donating their incomparable trove of contemporary art to the museum.

Sequence on Howard Street.

“Sequence” on Howard Street.

Read the rest of this entry »

Advertisements

Balenciaga and Spain

with 3 comments

De Young Museum

Hamish Bowles, Editor at Large, curator, and cape-wearer.

On my most recent visit home to San Francisco, I had a museum day with my mom.   My mom was insistent we see the Hamish-Bowles-curated Balenciaga and Spain at the De Young Museum.  My mom had already seen it (bought the catalogue), and had been raving to me about its unconventional display.  The clothes are integrated into a background of paintings (one by Miro, a reproduction of Velazquez’s Las Meninas), photographs of the Spanish landscape and matadors; sometimes lively flamenco music accompanies the designs.  I wanted to glean something from the exhibition to point out to my mom that she might not have noticed.  This came from the object labels.  Each label included the requisite materials, date, lending organization, and donor.  However, in some cases an additional “worn by” line was added.

Who were some of the women wearing Cristobal Balenciaga’s bolero jackets and flamenco-inspired gowns?

Read the rest of this entry »