Exhibition Inquisition

The stuff you look at, but don't see.

Posts Tagged ‘opera

Resnick Pavilion Inaugural Exhibitions

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Los Angeles County Museum of Art

They paid for the building, they can show their art for three months in it.

Getting Yogurtland was my priority upon landing in LA.  This was followed by a close second priority of seeing the three exhibitions which inaugurated the brand spanking new Resnick Pavilion at LACMA.  The shows opened while I’ve been in Chicago, but I’ve been following the press about the opening of the Pavilion.  Olmec: Colossal Masterworks of Ancient Mexico was something of a blockbuster loan show, Fashioning Fashion: European Dress in Detail, 1700–1915 is a presentation of LACMA’s newly acquired costume collection, and Eye for the Sensual: Selections from the Resnick Collection was an exhibition of the Resnicks’ collection of European painting and sculpture.  The three shows have absolutely nothing to do with each other, and that’s just the way LACMA director Michael Govan likes it:
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Myths, Legends, and Cultural Renewal: Wagner’s Sources

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Los Angeles County Museum of Art

Wilhelm Trübner’s Greeting of the Valkyries - A cultural source

In case you’ve been living underneath a rock, there is this small thing happening in Los Angeles this summer called the Ring Festival LA Coinciding with the Los Angeles Opera’s production of all four operas in Richard Wagner’s Ring Cycle, cultural institutions around Los Angeles have planned events and programming.  Museums have planned special exhibitions including LACMA, which has organized Myths, legends and Cultural Renewal: Wagner’s Sources.  The exhibition is installed in the space reserved for the Robert Gore Rifkind Center for German Expressionist Studies.  The exhibition was organized by the Rifkind Center, and showcases many works from its collection.

Freaky postcards promoting the Alps

The exhibition is a typical one for the Rifkind Center, combined with a special installation of works from LA Opera.  The title wall is located on the far wall from the entry way requiring a visitor to cross the entire room to read it.  There were several series of prints and other works that were hung as small collections.  A collection of Emile Nolde postcards were grouped on one wall, and a large series of Ernst Barlach prints hung in smart black frames on another wall.

Barlach prints, take up an entire corner

What set this exhibition apart was the combination of Rifkind works with the special installation by Achim Freyer, the creative designer of the LA Opera’s Ring cycle.  His sketches are hung on the walls alongside the other works.  A huge sculpture, the Walkurenritt, horse dominates one corner along with other costumes and from the show.

Promoting LA Opera

This exhibition did an excellent job of showcasing the cultural sources used by Wagner for his opera’s and also at making me really really regret not going to see any of the productions in the opera cycle.

– H.I.