Exhibition Inquisition

The stuff you look at, but don't see.

Posts Tagged ‘Pavilion

Summer Exhibitions

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LACMA

LACMA’s near acre of new exhibition space, the Resnick Pavilion, means LACMA has a lot of exhibitions to program.  And they seem up to the task.  After the three inaugural shows (Olmec, Fashion, and Eye for the Sensual), LACMA has managed to keep the Resnick Pavilion at full capacity.  There are three shows currently in the space: David Smith: Cubes and Anarchy, Gifts of the Sultan: The Arts of Giving at the Islamic Courts, and LACMA’s ticketed blockbuster: Tim Burton.  The shows keep with Michael Govan’s strategy for offering unrelated coinciding shows in the Resnick Pavilion.

Across from the Resnick Pavilion, is Renzo Piano’s other LACMA building, BCAM; it too has been kept full. The top floor is still stocked with Broadworks, the second floor is being deinstalled from the recent permanent collection show Human Nature, and the ground floor just had one of the massive Serra sculptures deinstalled, to make room for a new Burden work, which is going to be AWESOME.

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Resnick Pavilion Inaugural Exhibitions

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Los Angeles County Museum of Art

They paid for the building, they can show their art for three months in it.

Getting Yogurtland was my priority upon landing in LA.  This was followed by a close second priority of seeing the three exhibitions which inaugurated the brand spanking new Resnick Pavilion at LACMA.  The shows opened while I’ve been in Chicago, but I’ve been following the press about the opening of the Pavilion.  Olmec: Colossal Masterworks of Ancient Mexico was something of a blockbuster loan show, Fashioning Fashion: European Dress in Detail, 1700–1915 is a presentation of LACMA’s newly acquired costume collection, and Eye for the Sensual: Selections from the Resnick Collection was an exhibition of the Resnicks’ collection of European painting and sculpture.  The three shows have absolutely nothing to do with each other, and that’s just the way LACMA director Michael Govan likes it:
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