Posts Tagged ‘Private Collector’
LA, or certain people who write about the art scene in LA, or people who get quoted about the art scene in LA, seems to have an inferiority complex. Everything that happens in the arts (a new exhibition, a new art fair, a new museum director…) is deemed the thing that will finally turn LA into an/the art capitol. William Poundstone did a survey of this decades-long mentality[ii] this week inspired by an article in The Economist titled, “2014 may prove a turning point for art museums in Los Angeles.”[iii] But come on – LA, people who write about the art scene in LA, people who get quoted about the art scene in LA, and the people of LA have nothing to prove. The Getty squashed that issue a few years ago, didn’t it?
Back in 2011, the Getty’s ten-years-in-the-making endeavor, Pacific Standard Time (or PST as it has come to be known) opened. Over 60 institutions across Southern California presented exhibitions focused on the region’s art scene between the years of 1945 and 1980. The Getty’s goal was to record, preserve, and present the many contributions Southern Californian artists and arts organizations made to contemporary art during the time period. Initial grants were given to arts organizations to catalogue archives from the period, followed by exhibition grants. Some of these exhibitions traveled to other venues in the country and some traveled internationally. Catalogues from these exhibitions were published and quickly integrated into university curriculums. Besides this trove of scholarship, another goal of PST was to present Los Angeles as an artistic capital.
Private Collector Museums
As promised, lets explore a series of amazing/crazy collectors around the world who have built museums to house their collections. First up, David Walsh
Let’s begin in a dark corner at the bottom of the world, Tasmania. It is there that eccentric collector David Walsh (who made his fortunes developing gambling systems) built the Museum of Old And New Art to house his collections of antiquities and contemporary art. It is the largest privately funded museum in Australia with an $8 million annual operating budget. The funding comes from Walsh, and from other business Walsh developed on the sprawling Morilla estate where the museum is located.