Exhibition Inquisition

The stuff you look at, but don't see.

Posts Tagged ‘The Clock

Christian Marclay’s The Clock (Part 2)

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SFMOMA

“Everybody is concerned about time. You know we never have enough time to do anything, and especially to see art.” – Christian Marclay.

[Insert mandatory clock pun here.]

[Insert mandatory clock pun here.]

Well I got PLENTY of time to see your art Mr. Marclay.  Cinephiles of San Francisco rejoice! Christian Marclay’s The Clock is at SFMOMA through June 2nd, when the museum closes for those massive expansions you may have heard aboutThe Clock made big news two summers ago, when it won the Golden Lion at the Venice Biennale.  The 24-hour-long video piece has been heralded as a masterpiece of time-based media, and has been show all over the country (New York, Boston and Los Angeles) and the world (Russia and Israel).  Finally Norcal gets the opportunity to see this life-changing (I don’t use that term loosely) video piece.

My life was changed last year when I saw The Clock multiple times at LACMA—the museum purchased an edition of The Clock and had it on view during regular hours, as well as organized several 24-hour screenings. I went to one of the 24-hour screenings and stayed from 8:00PM till 12:15AM. This week, I went to SFMOMA and took in a mere two hours and 15 minutes of The Clock—from 2:45 till 5:00PM.  Taking in another chunk of The Clock allowed me to see how the work varies at different times of day.    SPOILERS, SPOILERS, SPOILERS AHEAD. Read the rest of this entry »

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Christian Marclay’s The Clock

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LACMA

Last week, I attended (a portion) of LACMA’s 24-hour screening of the museum’s newly-acquired The Clock by Christian Marclay.  I watched the video work from 8:00 until a little after midnight, and LACMA’s Bing Theater was packed the entire time.  People shuffled out at the bottom of each hour, allowing more people in.  When I left at 12:15, there was still a line of eager museum visitors all the way down the side of the Art of the Americas building.  The Clock has been on view pretty much from the time it was acquired back in May, and just closed this past weekend.  If you didn’t get the opportunity to see it, fear not, I’m sure it will be back—it’s a huge crowd pleaser.

The (de)evolution of the leading lady?

The showing attracted a mixed bag of attendees; The Clock is more fun to watch in a diverse group of people.  Older viewers recognized clips I didn’t; there were big laughs for a dinner scene from The Odd Couple, and more laughs for a Vincent Price clip.  I held my own when I recognized a young Catherine Deneuve, a pivotal scene from Hitchcock’s Rope, and Dustin Hoffman in drag in Tootsie.  The oldtimers were stumped by a clip from Sex and the City.  Some clips I wanted to go on longer, but I quickly forgot about them because there were five or more news clips in the next minute. Read the rest of this entry »

Summer Exhibitions

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LACMA

LACMA’s near acre of new exhibition space, the Resnick Pavilion, means LACMA has a lot of exhibitions to program.  And they seem up to the task.  After the three inaugural shows (Olmec, Fashion, and Eye for the Sensual), LACMA has managed to keep the Resnick Pavilion at full capacity.  There are three shows currently in the space: David Smith: Cubes and Anarchy, Gifts of the Sultan: The Arts of Giving at the Islamic Courts, and LACMA’s ticketed blockbuster: Tim Burton.  The shows keep with Michael Govan’s strategy for offering unrelated coinciding shows in the Resnick Pavilion.

Across from the Resnick Pavilion, is Renzo Piano’s other LACMA building, BCAM; it too has been kept full. The top floor is still stocked with Broadworks, the second floor is being deinstalled from the recent permanent collection show Human Nature, and the ground floor just had one of the massive Serra sculptures deinstalled, to make room for a new Burden work, which is going to be AWESOME.

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