Exhibition Inquisition

The stuff you look at, but don't see.

Posts Tagged ‘This Will Have Been

Rashid Johnson: Message to Our Folks

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Museum of Contemporary Art, Chicago

Rashid Johnson, “Self Portrait in Homage to Barkley Hendricks,” 2005.

Why is Self Portrait in Homage to Barkley Hendricks not included in the MCA’s current Rashid Johnson retrospective, Message to Our Folks?  The photographic work is included in the exhibition catalogue, and MCA curator Julie Rodriguez Widholm writes that it is perhaps Johnson’s “most understood work.”  The work is an illustrative example of both Johnson’s “dialogue with black American creative and intellectual figures whose impact has transcended race” and his “dialogue with modern and contemporary art history, specifically abstraction and appropriation.”  Both these quotes are from the curatorial statement on the MCA’s website.  True, other self portraits (some of which engage in appropriation and cultural and intellectual figures) are in the exhibition, but they don’t compare in my opinion to the stark and confrontational Self Portrait in Homage to Barkley Hendricks.

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Four Facts: This Will Have Been

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Museum of Contemporary Art, Chicago

“I got love for you if you were born in the 80s,” croons Calvin Harris. Why thank you Calvin, I was in fact, born in the 80s, towards the end of it, but still.  This is why the MCA’s This Will Have Been is such a fun show for me—because it presents work that I am mostly unfamiliar with.  Unfamiliar, for two reasons: one—the work has not been thoroughly historicized yet, and two—I wasn’t around when most of the work was being produced.

There are A LOT of conversations in the show, some of which you can find here, here, here, and here.  While that might be confusing, the overall curatorial statement is to present “the decade’s moments of contentious debate, raucous dialogue, erudite opinions, and joyful expression.” And there were a lot.

Everybody loves an inflatable bunny!

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