Exhibition Inquisition

The stuff you look at, but don't see.

Posts Tagged ‘Wilshire

MOCA Leadership & Their Museums

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Still using the old/new logo on press releases.

Still using the old/new logo on press releases.

Jeffrey Deitch will bid adieu to the Museum of Contemporary Art and the Best Coast and head back to New York, where his genius is appreciated and where he is already curating a show. Poor Deitch, un-hip, philistine LA just didn’t get him. The biggest Deitch defender in the press has been Art in the Streets associate curator (non-MOCA curator) Aaron Rose: “We had something going in L.A., and it’s over now. Jeffrey’s resigning is really a statement about what the city is. All people in L.A. want is interior design. They want paintings to put over the couch.” Let’s leave generalizations about “people in L.A.” out of this Aaron Rose, and take a moment to remember that time New York Times Magazine did a spread on “Jeffrey’s Deitch’s Party House.” Let’s talk about that interior design Aaron Rose: Deitch may not have paintings over his couch, but he does have painted couches.

Now that’s some interior design.

Now that’s some interior design.

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Christian Marclay’s The Clock (Part 2)

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SFMOMA

“Everybody is concerned about time. You know we never have enough time to do anything, and especially to see art.” – Christian Marclay.

[Insert mandatory clock pun here.]

[Insert mandatory clock pun here.]

Well I got PLENTY of time to see your art Mr. Marclay.  Cinephiles of San Francisco rejoice! Christian Marclay’s The Clock is at SFMOMA through June 2nd, when the museum closes for those massive expansions you may have heard aboutThe Clock made big news two summers ago, when it won the Golden Lion at the Venice Biennale.  The 24-hour-long video piece has been heralded as a masterpiece of time-based media, and has been show all over the country (New York, Boston and Los Angeles) and the world (Russia and Israel).  Finally Norcal gets the opportunity to see this life-changing (I don’t use that term loosely) video piece.

My life was changed last year when I saw The Clock multiple times at LACMA—the museum purchased an edition of The Clock and had it on view during regular hours, as well as organized several 24-hour screenings. I went to one of the 24-hour screenings and stayed from 8:00PM till 12:15AM. This week, I went to SFMOMA and took in a mere two hours and 15 minutes of The Clock—from 2:45 till 5:00PM.  Taking in another chunk of The Clock allowed me to see how the work varies at different times of day.    SPOILERS, SPOILERS, SPOILERS AHEAD. Read the rest of this entry »