Posts Tagged ‘Community Redevelopment Agency’
Chapter 3 (Part 6): Private Collector Museum Conclusions
“If you look at history, too many great collections ended up in storage and not being shown.”[i] – Eli Broad
Eli Broad, like Alice Walton, the Fishers and George Lucas, has a long history with the city in which he practices his “venture philanthropy.” Broad was not born in Los Angeles, but like the Fishers in San Francisco, he has a long involved history with existing arts and cultural institutions. He has sat and currently sits on the boards of many art museums. Like the Fishers, Lucas and Walton, his decision to build a museum to house his art collection is motivated (partially) by his commitment to his city. But Broad is also doing something in addition to what the Fishers, Lucas and Walton did with their museums; he is utilizing his museum project as leverage for further economic growth. Sure Walton sees Crystal Bridges as having a positive economic effect on Bentonville, but there is nothing in Bentonville: Crystal Bridges is the local economy. Broad is building his museum, not in a rural city, but in the second-most highly populated city in America. Los Angeles already has the strongest brand of any city in the world, and an existing diversified economy. Sure, part of Los Angeles’ economy depend on arts and culture, but it arguably has plenty of existing organizations and venues. If Eli Broad had attempted to build his museum in a place like San Francisco, he might have come up against more public opposition as did the Fishers and Lucas.
Written by exhibitioninquisition
May 16, 2014 at 1:37 PM
Posted in Broad Art Foundation, Chicago, Contemporary, Donors, LACMA, Los Angeles, MOCA, Permanent Collection, Private Collectors, San Francisco, SFMOMA, Starchitecture, Thesis, Urban Planning
Tagged with 1% tax for arts, Alice Walton, art museums, arts administrator, basketball stadium, BCAM, Bentonville, Beverly Hills, brand, Bunker Hill, Chicago, collection, Community Redevelopment Agency, CRA, Crissy Field, Crystal Bridges, development, donors, downtown, Ed Lee, Eli Broad, Embarcadero, fundraising, George Lucas, Golden State Warriors, Grand Avenue, Grand Avenue Project, LACMA, lease, Los Angeles, Lucas Cultural Arts Museum, MOCA, NIMBY, philanthropy, Piers 30-32, Presidio Trust, private collectors, public-private investment, redevelopment, San Francisco, Santa Monica, Seawall Lot 330, SFMOMA, Snohetta, tax revenue, the Broad, the Fishers, venture philanthropy
Introduction (Part 2): The Veil, the Vault and the Avenue
“The museum’s ‘veil’ lifts at its corners, welcoming visitors in.”[i]
– Elizabeth Diller, Diller, Scofidio + Renfro, architects, The Broad
The new, $100 million museum will be called The Broad, after its founder, local philanthropist Eli Broad. The sure-to-be-iconic building houses 50,000 square feet of exhibition and storage space for the Broad collections, and is designed by world-renowned architecture firm, Diller Scofidio + Renfro. It will be located on Grand Avenue in downtown, and will sit directly across from both Walt Disney Concert Hall and the Museum of Contemporary Art (MOCA). It is a testament to Broad’s generosity and also to his ability to negotiate a public-private project. Read the rest of this entry »
Written by exhibitioninquisition
May 3, 2013 at 10:00 AM
Posted in Uncategorized
Tagged with AEG, Alice Walton, architect, architecture, Art, Bunker Hill, collection, Community Redevelopment Agency, conceptual rendering, construction bonds, CRA, Crystal Bridges Museum, cultural collateral, developer, Diller Scofidio + Renfro, downtown, economic benefit, Eli Broad, Elizabeth Diller, endowment, Farmer’s Field, financing, Grand Avenue, Grand Avenue Project, Grand Park, job creation, Koons, LACMA, Los Angeles, Mayor Antonio Villaraigosa, Michael Antonovich, MOCA, museum, non-profits, parking garage, philanthropy, public space, Public-Private, public-private project, Rabbit, redevelopment, Related, renderings, research, The Art of Being Unreasonable, the Broad, theory, urban plan, urban planning, Walt Disney Concert Hall